Showing posts with label Kurt Vonnegut. Show all posts
Showing posts with label Kurt Vonnegut. Show all posts

Sunday, August 7, 2016

1001+ Books: Cat's Cradle

1001+ Books:
#7 - Cat's Cradle
by: Kurt Vonnegut (1963)


       "See the cat? See the cradle?"

       As we all know, this is, indeed, nonsense. As anyone can plainly see, when you play with a piece of string and happen upon the formation of the "cat's cradle", a series of X's criss crossing over each other, as displayed on the book cover above, on thing is certain when it comes to what can be found: no damn cat, no damn cradle. Look close enough, and what do you see? A bunch of silly strings. "No wonder kids grow up crazy..." says Vonnegut. And it's hard not to see his point. In the end, what do humankind's feelings and ideas about god amount to when scrutinized up close, when looked at through the clear-eyed lens of science? No damn cat, no damn cradle.

       Vonnegut, in another of his masterpieces here, skewers the sacred cow of religion by inventing his own; and one of the more sensible ones at that. Enter Bokonism: a pack of foma (lies in plain-speak). Bokonism is a religion centered around the idea that all of its ideas are completely untrue, something it acknowledges in its very first lines. Despite this, it is (secretly) the reigning religion on the island of San Lorenzo, something everyone there believes, but can never admit to. The creator of the religion, Bokonon, is a fugitive who is wanted by the government and their president, "Papa", who is secretly a Bokonist as well.

       When the novels narrator visits the island, he is also converted into the religion. He is Jonah, or John, and he is working on a book about the father of the atomic bomb, one Dr. Hoenikker. In his research, he seeks out the three children of Hoenikker, and finds them on the island of San Lorenzo by chance, or, as Bokonon would say, "as it was supposed to happen." He also manages to fall in love, become next in line as the president of San Lorenzo, and witnesses the end of humanity as we know it to the ultimate weapon of mass destruction, ice-nine, also fathered by Dr. Hoenikker. And all by chance. "As it was supposed to happen."

       And that is what the book is about, among many things: chance. Or, in other words, the complete and utter meaningless of it all. That's where religion comes in. Despite what the first paragraph of this review may entail, this book is the best argument for religion that I've come across in a while. In the throws of nuclear terror, in an age where something like ice-nine can wipe out the human race in seconds flat, what's the harm in playing pretend to keep you from going insane. Sure, like anything, religion can weaponized, but is it a necessary evil? Do the pros outweigh the cons, or is it, like the island nation, caught in an eternal balance of right and wrong, a yin-yang that must never be thrown out of balance, just like the balance of outlawed yet widely practiced Bokonism and Christianity on the island.

       Alas, more than it is about religion, or destruction, or randomness, it is about humanity. Specifically its chronic idiocy. Everyone in the book is capable of, and acts upon, the stupidest accidents that needn't have happened, like one character licking ice-nine and having their body frozen solid. And there is also stupidity on a grander level, like the invention of ice-nine itself, the greatest threat to mankind created out of curiosity and used to detonate the world by clumsiness. But as much as Vonnegut attacks the stupidity of humans, he defends us as well, for he is a humanist at heart. You can tell that he feels for these people in his writing. You can tell how he cares for us poor, clumsy, stupid, meaningless things. "Mud that sits up" as we are called.

       In the beginning (not that beginning), I was slightly disappointed by the book. It wasn't quite as hilarious as Breakfast of Champions, and it didn't quite grab we in its tight fist the way Slaughterhouse-Five did (one of my favorites, ever). It's one of those pieces that I realized how much I enjoyed it and how much I admired it after I was finished, in my reflection and writings on it. It grows in its absence. Not quite Slaughterhouse-Five, but a good second place. 

   Rating: A-

Wednesday, July 6, 2016

1001+ Books: Breakfast of Champions

1001+ Books:
#5 - Breakfast of Champions
by: Kurt Vonnegut


       Tip: don't listen to this book, it is clearly meant to be a visual experience as opposed to your straightforward narrative. The book is apparently littered with various hand drawn illustrations by Vonnegut, that have to be described (admittedly somewhat humorously) by the reader. Speaking of the reader, John Malkovich is simultaneously perfect for the reading of a Vonnegut book and an incredibly ill choice for the reading of any audiobook. He lisps, which is part of the charm, but also can be frustratingly hard to follow, especially with his jerky, disjointed, flowed together movement from one sentence to the next. Part of me feels I should try actually reading it, but there simply isn't the time with 1001 books to get through. Unfortunately my experience with the novel, in a car going down the interstate at sonically abundant speeds with a narrator who seems to be mildly impaired in some way or another, may unfairly lower the rating of it.

       Anyway, despite the slightly imperfect conditions to which I experienced the book, it was certainly interesting, but nowhere near the absolute genius of Slaughterhouse-Five. One thing is definitely is is hilarious. Vonnegut remains a master of satire, and his sensibility especially shines through with Malkovich's reading, which is, like i said, imperfect, yet well suited to the author. Vonnegut's observations of humanity, and his insane, funny ideas about the world are beautiful and frightening to behold. He frequently compares people to meat machines filling out their daily purposes, but also describes them as unwavering columns of light. The soul inside the machine. Race relations in America are rarely presented so honestly and unforgivingly as in this. Each character is immediately described as either black or white, and their genealogy is often detailed, like describing black characters as being descended from slaves.

       Overall, this is a solid book, but the experience I had with it could have been better I think. The ideas are provocative and inspire much thought, and the execution and presentation of the ideas is often perfect and incredibly humorous. Not quite the heights I know the author can reach, but enjoyable all the same.

   Rating: B